| Robert Burns Centre FILM THEATRE |
APRIL 2012 @ RBCFT |
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| Tel: 01387 264808 | April Quick View - click on film for full film details: |
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THU 5 April THU 26 April Doors open at 10am and film starts at 10.45am. BRING A BABY WED 18 April Doors open at 12.30pm and film starts at 1pm. SNEAKY CINEMA! Treat yourself to a lazy afternoon at the RBC; settle into a film and then digest over tea and cake afterwards. Tickets cost £6.60 (£5.00 conc). TUE 3 April TUE 17 April Doors open at 1pm, film starts at 1.30pm. |
Monday 2 (6.30 ) and Tuesday 3 (1.30 and 7.30) A Dangerous Method – Dir. David Cronenberg
Wednesday 4 (7.30) and Thursday 5 (10.45 and 7.30) The Deep Blue Sea – Dir. Terence Davies
Set in post-war Britain, this adaptation of Rattigan’s classic play, The Deep Blue Sea is a study of forbidden love, suppressed desire, and the fear of loneliness – but is at heart a deeply moving love story. Stuck between the devil and the deep blue sea, what - or whom - should Hester choose?
Easter Saturday 7 April at 2pm and 5pm and Tuesday 10 April at 6pm The Muppets – Dir. James Bobin
On vacation in Los Angeles, Walter, the world's biggest Muppet fan, his brother Gary (Jason Segel) and Gary’s girlfriend Mary (Amy Adams), discover the nefarious plan of oilman Tex Richman (Chris Cooper) to knock down the Muppet Theatre and drill for oil discovered below. To stage 'The Greatest Muppet Telethon Ever' and raise the $10 million needed to save the theatre, Walter, Mary and Gary help Kermit reunite the Muppets, who have all gone their separate ways: Fozzie now performs with a Reno casino tribute band called the Moopets, Miss Piggy is a plus-size fashion editor at Vogue Paris, Animal is in a Santa Barbara clinic for anger management, and Gonzo is a high-powered plumbing magnate. Wednesday 11 (7.30) and Thursday 12 (7.30) April Red Dog – Dir. Kriv Stenders
At the 2011 Inside Film Awards (where the winners are determined by a national audience poll) Red Dog was nominated in nine categories and won seven, including Best Feature Film. Friday 13 (7.30),Saturday 14 (7.30), Monday 16 (6.30 ), Tuesday 17 (1.30 and 7.30) , The Best Exotic Marigold Hotel – Dir. John Maddenl
Wednesday 18 April (1.00 and 7.30) and Thursday 19 (7.30) Hunky Dory – Dir. Marc Evans
In Swansea in the heat of the summer of 1976, keen drama teacher Vivienne (Minnie Driver) fights sweltering heat and general teenage apathy to put on an end of year rock-opera music version of Shakespeare's The Tempest. To engage her students, she uses hits of the time, performed by a fresh young cast led by rising star Aneurin Barnard.
Friday 20 (7.30), Saturday 21 (7.30) and Thursday 26 (10.45 ) April Black Gold – Dir. Jean-Jacques Annaud
The film is an adaptation of Hans Ruesch’s classic novel, “The Great Thirst” and stars include Antonia Banderas, Freida Pinto, Mark Strong, Tahar Rahim and Riz Ahmed.
Monday 23 (6.30 ), Tuesday 24 (7.30), Wednesday 25 (7.30) and Thursday 26 (7.30) The Woman In Black – Dir. James Watkins
Working alone in the old mansion, Kipps begins to uncover the town's tragic and tortured secrets and his fears escalate when he discovers that local children have been disappearing under mysterious circumstances. When those closest to him become threatened by the vengeful woman in black, Kipps must find a way to break the cycle of terror. Daniel Radcliffe’s thrilling entry to the horror genre is Produced by legendry British film brand Hammer Film Productions.
Bel Ami – Dir. Declan Donnellan and Nick Ormerod
Uma Thurman plays the wife of Duroy's friend, a woman who is extremely involved and connected in the goingson of Parisian society and who helps Duroy in his ascent. Kristin Scott Thomas plays a socialite who falls for Duroy. Wanderlust – Dir. David Wain
Money? It can't buy happiness. Careers? Who needs them? Clothes? Only if you want them. Is Elysium the fresh start George and Linda need? Or will the change of perspective cause more problems than it solves? Bill Cunningham New York – Dir. Richard Press
The “Bill” in question is 80+ New York Times photographer Bill Cunningham. For decades, this bike-riding cultural anthropologist has been obsessively and inventively chronicling fashion trends and high society charity soirées for the Times Style section in his columns “On the Street” and “Evening Hours.” Documenting uptown fixtures (Wintour, Tom Wolfe, Brooke Astor, David Rockefeller—who all appear in the film out of their love for Bill), downtown eccentrics and everyone in between, Cunningham’s enormous body of work is more reliable than any catwalk as an expression of time, place and individual flair. In turn, Bill Cunningham New York is a delicate, funny and often poignant portrait of a dedicated artist whose only wealth is his own humanity and unassuming grace. Obsessive artists often create exceptional bodies of work.
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