![]() |
MARCH 2010 @ RBCFT |
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Tel: 01387 264808 | March Quick View - click on film for full film details: |
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Thu 4 March Thu 11 March Thu 18 March Thu 25 March BRING A BABY Wed 3 March Wed 17 March Wed 31 March
|
THE WHITE RIBBON /
Das Weiße Band (15) – Dir. Michael Haneke
Germany Austria 2009, 2h24m, b/w, subtitles
Who is behind it all? The schoolteacher observes, investigates and little by little discovers the incredible truth. Are we being asked to consider whether these events heralded something that would explode years later with the rise of Nazi Germany? Did these events contain the germs of the tragedies that followed?
THE BOYS ARE BACK (12A) – Dir. Scott Hicks
Australia 2009, 1h50m, Contains one crude sex reference and implied strong language
Clive Owen is Joe Warr, a wisecracking sportswriter whose beloved second wife dies, leaving him to bring up their six-year-old son alone. He struggles with grief and singleparenting, challenges compounded by the arrival on the scene of Harry, Joe’s teenage son from his first marriage. Joe decides the best way forward is least-resistance parenting, and introduces a ‘just say yes’ maxim. In a house devoid of feminine influence, with a cultivated lack of rules and deep emotion swirling below the surface, life becomes exhuberant, reckless .. and potentially disastrous.
A PROPHET /
Un prophète (18) – Dir. Jacques Audiard
France Italy 2009, 2h30m, subtitles
Malik is an uneducated teenager stepping into a French prison after being given three years for attacking a policeman. Once there, he’s at the mercy of his surroundings, and despite being of Arab descent, is taken in by the Corsican mafia and kingpin Cesar Luchiani (a brilliant Niels Arestrup), who begins to use him for errands and murders, and who inadvertentlystarts Malik’s rise to power…. Winner of the Grand Prize at this year’s Cannes Film Festival. NOWHERE BOY (15)– Dir. Sam Taylor-Wood
UK 2009, 1h35m
Artist Sam Taylor-Wood’s debut feature is a sensitive and sprightly look at John Lennon’s formative years. THE ROAD (15) – Dir. John Hillcoat
USA 2009, 1h52m
Hard going, you are unlikely to ever forget John Hillcoat’s (‘The Proposition’) interpretation of McCarthy’s post-apocalyptic planet where “each day is greyer than the one before”.. Film of the
Book
DISGRACE (15) – Dir. Steve Jacobs
Australia South Africa 2008, 2h
Dismissed from his university, David Lurie (Malkovich) decides to visit his daughter at a remote farm in the eastern Cape that she shares with a trusted black worker. When they are savagely attacked by three black youths, David is finally confronted by the realities of a South Africa where the old rules no longer apply. IT’S COMPLICATED (15) – Dir. Nancy Meyers
USA 2009, 2h
Back by popular demand!
MUGABE AND THE WHITE AFRICAN (12A) – Dir. Andrew Thompson
UK 2009, 1h34m, Contains bloody injury detail Covertly filmed against the backdrop of the tumultuous 2008 Zimbabwe elections, this harrowing documentary follows 75-year-old farmer Mike Campbell and his family as they fight to save their farm (and the lives and livelihoods of the 500 black workers who live on their property) from the hands of Robert Mugabe's controversial land seizure campaign. The family bravely seek to challenge the President in an International court, charging racism and violation of human rights, while being threatened and intimidated, kidnapped and beaten. Part thriller, part courtroom drama and part an inspirational story of courage, this is an intimate, often terrifying film of one family's grit and determination.
AVATAR (12A) – Dir. James Cameron
USA 2009, 2h42m - Contains moderate violence and intense battle scenes
But, after winning their trust, Jake finds his allegiances gradually shifting. UP IN THE AIR (15) – Dir. Jason Reitman
USA 2009, 1h44m
With its sharp script ‘Up in the Air’ presents a merging of the best qualities of Reitman’s two previous films, combining the skewed look at the modern workplace of ‘Thank You For Smoking’ and the sentimental romance of ‘Juno’.
DEPARTURES/
Okuribito (12A) – Dir. Yôjirô Takita
Japan 2008, 2h10m, subtitles - Contains emotionally intense scenes of bereavement A young and indebted Japanese cellist, Daigo Kobayashi returns to his hometown to look for work. He answers a classified ad entitled "Departures" thinking it is an advertisement for a travel agency only to discover that the job is actually for a "Nokanshi" or "encoffineer," a funeral professional who prepares deceased bodies for burial and entry into the next life. While his wife and others despise the job, Daigo takes a certain pride in his work and begins to perfect the art of “Nokanshi,” acting as a gentle gatekeeper between life and death.
"I regard ‘Departures’ as the most moving film I have ever seen commemorating the bonds between the living and the dead." Andrew Sarris, New York Observer INVICTUS (12A) – Dir. Clint Eastwood
USA 2009, 2h13m - Contains infrequent strong language
Blending entertainment, social message and history, it’s a rousing and inspiring film packed with humour and humanity. THE AE PROJECT – Dir. Alex Barclay and Tom Pow
Scotland 2009, 45m
£2 per ticket. 3 IDIOTS (12A) – Dir. Rajkumar Hirani
India 2009, 2h50m, subtitles - : Contains two suicide scenes and moderate injury detail
Three friends embark on a quest for a lost friend Rancho. Along the way, they flash back to their college days and recall the impact that free-thinking, fair-minded Rancho had on each of their lives, as well as his relationship with the spirited Pia and his frequent clashes with her father, college professor Viru. However, when the mystery surrounding Rancho suddenly deepens, they begin to wonder if they ever truly knew their friend at all.
PRECIOUS: A NOVEL BY SAPPHIRE (15) – Dir. Lee Daniels
USA 2009, 1h50m
STILL WALKING /
Aruitemo Aruitemo (U) – Dir. Hirokazu Koreeda
Japan 2008, 1h54m, subtitles
Good cheer is the order of the day, but for some of them the festive gathering is an endurance test. Koreeda handles the family dynamics deftly and infuses the film with much warmth between the discordant notes, creating a bittersweet gem.
A SINGLE MAN (12A) – Dir. Tom Ford
USA 2009, 1h41m - Contains suicide theme, moderate threat, drug references and nudity
A beautiful, autumnal period drama about private freedom and public repression in a conformist and manicured suburbia.
PONYO /
Gake no ue no Ponyo (U) – Dir. Hayao Miyazaki
Japan 2008, 1h41m
A gentle and moving re-visiting of the classic fable by the world-renowned Japanese animation legend Hayao Miyazaki (‘Howl’s Moving Castle’, ‘Spirited Away’). |
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| top of page ^ | ROBERT BURNS CENTRE FILM THEATRE, MILL ROAD, DUMFRIES DG2 7BE - 01387 264808 |